Showing posts with label Readers Advisory Service. Show all posts
Showing posts with label Readers Advisory Service. Show all posts

Thursday, June 5, 2008

MLA Conference Report ~ Nancy Pearl


Massachusetts Library Association Annual Conference 2008 Report

Two reports on Nancy Pearl's MLA programs.

Opening Books, Opening Doors: Providing Effective Readers’ Advisory Service

What an exciting program I attended at MLA! Nancy Pearl talking about Readers’ Advisory services. I felt like I was listening to the queen of Readers’ Advisors. I mean, who could know more about this service than Nancy Pearl? Nancy brought up the question that all librarians everywhere fear the most: Can you help me find a good book? Desk paralysis sets in, the mind goes blank and the stomach knots. No matter how many great books you may have read in the last month you can’t remember a single one of them. And I thought that was just me!

Nancy has 2 rules for a good Readers’ Advisor:

1. It’s not about you (your likes or dislikes when it comes to reading)

2. You need to read widely (outside your comfort zone) and ask yourself what it is in this book that someone else might enjoy?

Nancy started out talking about using the whole library when providing readers’ advisory services to your patrons. Thinking more broadly about the kinds of books your readers are asking for, and making the connections to the non fiction section of the library makes so much sense, and provided that “aha!” moment for me for that patron who can’t get enough of her favorite mystery writers – how about true crime and the paranormal for starters? I have to admit I hadn’t thought along those lines before. The first patron I steered in that direction was completely overjoyed to find this “new” area of our library! Nancy calls this doing “holistic RA”.

Finding that perfect book for your patron is about finding an experience that that patron can relate to, enjoy, and wants to replicate. Basically, everyone relates to books through at least one of four “doorways”.

The “doorways” to enjoyment that readers everywhere experience when they read the books they love vary from reader to reader and from book to book. First, there are books that use story as the doorway: you know a person enjoys books with a story doorway when you hear them say something like this about a book they loved: “I couldn’t put it down, I stayed up until 3:00 a.m. I couldn’t wait to see what happened next!” Examples of books that have story as the doorway are: Michael Crichton’s Prey, Dan Brown’s DaVinci Code, and books by authors such as John Grisham, James Patterson, and Robert Parker. Non fiction connections for people who enjoy story as the main doorway to a book could include True Crime or Adventure such as The Perfect Storm.

Second, there are books with Character as the doorway. People may say “I loved the people in this book, I missed the characters when I finished that book, I felt like I knew them!” Books with Character as the doorway usually have a character’s name in part of the title such as John Irving’s Prayer for Owen Meany or James Joyce’s The Dubliners or Finnegans Wake. Non fiction connections for people who enjoy character as the main doorway to a book would include memoirs and biographies.

Third, some books use Setting or Place as the largest doorway. Lovers of these books claim that the time and place are so well evoked that you know it as well as you know your own house, town or country. Examples of books with this type of doorway include Annie Proulx’s The Shipping News, Willa Cather’s Death Comes for the Arch Bishop, or A Thousand Splendid Suns by Hosseini. Science Fiction or Fantasy books use Setting as the largest doorway.

Finally, there are books with Language as the largest doorway. People who appreciate these books mention that the book was really well-written, or that they loved the writing. These books are the book award winners. They tend to be the slowest moving books, and what happens next is not that important. Books like The amazing Adventures of Harry and Clay, The Book Thief, and books by Ian McKeun, Rumor Godden, Alice Hoffman and John Updike would all be examples of books with Language as the largest doorway.

All books include the four doorways mentioned above, but one of the doorways is largest and it is this distinction that draws a certain type of reader to the book.

“A good book is any book that you liked” – Nancy Pearl

~ Karen Kappenman, Director, Edwards Public Library, Southampton


Book Buzz 2008

I am sorry to say I thought the session was over when everyone in the room rushed up to grab their free copies of novels by panelists Katherine Hall Page, Linda Barnes, and Mameve Medwed. While I missed the reviews for new titles coming out I thoroughly enjoyed the author panel moderated by Nancy Pearl.

It is usually interesting to get insight into the author behind the book and this case was no exception. Mameve Medwed, author of How Elizabeth Barrett Browning Saved My Life, admitted she is never able to read her own books. When she is done they are dead and gone. Medwed admitted she is always listening in. Eavesdropping led her to the first line in her upcoming novel, “It all started with the twin pharmacists.” Carlotta Carlyle creator Linda Barnes has an acting background and often hams it up just to hear the voices, cadences and accents of her characters (Although when asked she wouldn’t “perform” for the audience.)

Katherine Hall Page talked about her Faith Fairchild series. Developing Faith Fairchild as a caterer was Page’s way to give her protagonist access to a wide number of characters and situations. And yes, she does try out all the recipes included in her mysteries.

All three authors agreed romances and mysteries were often trivialized – likened to sitting at the children’s table at Thanksgiving. Shelving all fiction together would be a better way to garner acceptance. Nancy Pearl chimed in saying she would like to see neighborhoods of books.

Each had an answer when asked about the problems with publishing. Barnes wished franchising would be eliminated. Medwed reminded us it is the book itself that matters. And finally, Page lamented that publishers are putting their money in bestsellers while cutting mid-list authors and new voices.

~ Deb Kern, Director, Dickinson Memorial Library, Northfield

MLA Conference Report ~ Journal, Journal on the Wall



Massachusetts Library Association Annual Conference 2008 Report

A behind the scenes look at the review process, this session was an entertaining conversation, prodded by questions from the moderators, between Publisher’s Weekly (PW) Reviews Editor Jonathan Segura, and Library Journal (LJ) Senior Editor Nancy Aberman. They answered a variety of questions from how reviewers are chosen to why a book receives a starred review.

While PW’s main audience used to be booksellers now, like LJ, librarians are a major focus. Both editors spoke of the growing importance of their online presence. Finding reviewers is a constant challenge. LJ reviewers receive a byline. PW reviewers receive a small stipend. Aberman said when hiring reviewers she tries to find out not just what they like to read, but what they can write about. Reviews in both journals are 200 words but in PW that includes the title (and those long subtitles). PW reviews consist of a summary and evaluation. LJ reviews are a combination of educated opinion, credentials and that all important recommendation at the end.

One question that stood out was about the all important starred review. The questioner stated she purchased these books and oftentimes they didn’t circulate. Both editors were unapologetic. Outside of the best-selling authors, this is a way to get attention for new and mid-list authors – sometimes it works, sometimes it doesn’t.

~ Deb Kern, Director, Dickinson Memorial Library, Northfield

Wednesday, June 4, 2008

MLA Conference Report ~ Genre Blocks

Massachusetts Library Association Annual Conference 2008 Report

Genre Blocks: Fantasy


An excellent recap on the Genre Blocks: Fantasy session was written by Sarah the Dyslexic Librarian on the MLA blog at http://mlamasslib.blogspot.com/2008/05/
genre-block-fantasy.html
. Please read this account, and I won’t try to duplicate what she has so aptly recorded about the wonderful session we were able to attend.

Let me make it clear that I was not one of those “types” who reads fantasy literature. Puh-leeze! I mean, how many serious librarian types do you know that would read that “stuff?” (I am a closet fantasy reader and my interest in fantasy has been growing since I was forced to read Doomsday Book by Connie Willis before I could attend a session on Readers’ Advisory Services offered by MBLC and C/W MARS). I was instantly hooked – this was not what I had expected. I went on to read every other book that Connie Willis has written and then moved on to Neil Gaiman (Stardust and Neverwhere), John Connolly (Book of Lost Things), Audrey Niffenegger (Time Traveler’s Wife), you get the idea. For me, reading fantasy is like eating potato chips – you can’t eat just one – it creates an insatiable desire for more, more, more!! So, it was very exciting to attend the MLA session on Genre Blocks: Fantasy and hear experts in the field (Bonnie Kunzel, http://www.bonniekunzel.com; Susan Fichtelberg, http://www.encouteringenchantment.com; and Elizabeth Haydon, http://www.elizabethhaydon.com) tell me what my readers want to know: FANGS AND FUR ARE DEFINITELY IN!!!

There was a handout entitled What’s New in Fantasy that is extremely useful for anyone with fantasy readers in your library. (the MLA blog mentioned above covers most of the information on this handout) I fully expect to use this handout to build our collections and to watch for new books coming out in the near future by popular authors in this genre.

What my experience with reading Fantasy has confirmed to me is that when you venture outside your comfort zone to read books that might be of interest to your patrons, you will often find something that will capture you in a way you never imagined. Isn’t this experience exactly what we would hope for all readers? So, moving on to the fangs and fur… stay tuned!

~ Karen Kappenman, Director, Edwards Public Library, Southampton

Thursday, May 29, 2008

MLA Conference Report ~ Genre Blocks

Massachusetts Library Association Annual Conference 2008 Report

Genre Blocks: Romance

Speakers: Cathy Maxwell and Nanci Milone Hill

11:00 a.m. Friday

My conference companion agrees to attend the program, Genre Blocks: Romance with me; she’s a high school librarian and the last time I was in her library, I noticed she had an entire section devoted to romance. The conference program says that the romance genre is one of the most popular of fiction and perhaps the most misunderstood. As a graduate of the school of “give them what they want” I’m ready to hear what the presenters have to say.

Our first speaker, Nanci Milone Hill, reference librarian and NoveList contributing author, asks the audience how many of us read romance novels. More than half raise a hand. She makes a joke when she “confesses” that she’s an inveterate reader. I wonder if all the romance novels I read in high school count. In any case, I’m already thinking about making a display of the genre the minute I get back to my library. I can’t wait. I want to see if they fly out of the library as fast as she says they fly out of the box when they get to the book store. She presents her powerpoint (see http://www.nevinslibrary.org/romancereadersadvisory.html) and gives us more than just what’s on the print out. Things to know: Romance novels have a satisfactory ending (what’s not to like?), the love story is the most important facet though there may be multiple plotlines, the hero and heroine have a love/hate relationship in the beginning of the story; the romance is usually challenged and the story is generally told from both character’s point of view. Three things from her talk resonate. The first, a gay and lesbian romance book group at her library can’t get enough copies of titles for everyone because not enough libraries have them – shame on us here in Massachusetts where gay marriage has been legal for what can now be said to be years. The second is that interest in romance novels began to rise after 9/11 because they reaffirm that people are basically good at a time when some of us are thinking it ain’t so. The third is that romance novels contain strong female characters (I wonder, what are the characteristics of a strong female character circa 2008?) In closing Hill gives us a complete list of romance resources, and pokes fun at book covers by spoofing titles with her made up ones - “I Married a Sissy Boy” (from a cover with a bride kissing a frilly bow tied groom) and “Okay, You’re Taller Than Me, Happy Now?” (she barely reaches his naked solar plexus when they kiss).

Romance author Cathy Maxwell, speaks next. The romance novel is all about commitment and the reader wants to read about valuable relationships. Today’s romance writers are sticklers for facts, especially writers of historical romance because readers are much more discriminating than they used to be. Romance writers are an amiable and cooperative group. Her Harper Collins editor, sitting on the side of the room, nods in confirmation. Local romance authors willing to visit your library can be contacted through The New England Chapter of the Romance Writers of America http://www.rwanational.org/.

Then it’s question time. A correctional facility librarian tells how romance/fantasy books by Diana Gabaldon are the most pilfered in her library, which prompts Maxwell to surmise that if the inmates had been reading from the start they might not be where they are today. It’s nice to be reminded that reading changes lives. (See the "Books Change Lives" report available from The Center For The Book http://www.loc.gov/today/pr/1996/96106.html). Next, my conference companion wants to know how she can tell from a review just how explicit the sex is in an upcoming title (don’t forget, she’s a high school librarian). Hill refers her to the exhaustive resources list she’s provided – All About Romance http://www.likesbooks.com/ uses a “sensuality” rating system.

At this point I become preoccupied with wondering if what is really meant is sexual instead of sensual or explicit vs. implicit. Isn’t sensuality more a matter of taste and preference, relating to the senses? Before I get totally stuck, the HP guy is handing out free copies of Maxwell’s latest “In the Highlander’s Bed” and participants are lining up to get them autographed. I grab my copy, my companion takes one look at the cover and says she’ll never be able to put it in the collection at her high school without inviting a challenge and we make our way to lunch.

~ Sara Woodbury, Director, Tilton Library, South Deerfield

Monday, April 28, 2008

Guiding Readers to Nonfiction ~ A Training Session by Neal Wyatt

Now is the time to integrate nonfiction recommendations into your Readers’ Advisory service, to use the whole collection, bridge the Dewey Divide and help readers find both fiction and nonfiction that they will enjoy reading. Rather than thinking about our collection in separate segments (e.g. fiction, nonfiction, CD, DVD), think about the appeal that various topics and stories have for our users. The same reader can enjoy David McCullough’s John Adams or 1776, Jeff Shaara’s novel Rise to Rebellion, and the HBO special series on John Adams. Any of the books or the special can draw a user into new areas of our collections. On April 15, Neal Wyatt, author of The Readers’ Advisory Guide to Nonfiction (ALA, 2007),the readers shelf’ column in Library Journal (LJ), and the online LJ suggestions in Wyatt’s World, conducted a workshop to help participants learn how to analyze users and collections for use in a nonfiction RA transaction. Through presentation, small group discussion and treats, Neal widened our horizons and taught us new skills. We are pleased to announce that Neal will return July 22 for a second workshop. It’s a whole new world. ~ Jan Resnick, Assistant Regional Administrator, WMRLS

Friday, March 21, 2008

History & Mystery Book List Updates

Take a look at our updated and expanded Historical Fiction (Some Place in Time) and Mystery (Deadly Pleasures) book lists updated with new titles and authors http://www.wmrls.org/services/colldev/ra_lists.html. I hope you and your readers will find them useful. If you have additional suggestions, I'd love to have them.

Don't forget that Neal Wyatt, author of The Readers' Advisory Guide to Nonfiction, will be at WMRLS on April 15 to offer her tips on nonfiction and readers' advisory services. Sign up today while there is still space http://www.wmrls.org/ce/main.html#080415.

~ Jan Resnick, Assistant Regional Administrator, WMRLS